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Ashley Wood's second deluxe album in extra-large format.
Sketch.Box: Wouter Tulp is a sketchbook dedicated to Wouter Tulp's art.
Sketch.Box: Thomas Elliott is a sketchbook dedicated to Thomas Elliott's...
Nicolas Weis' captivating illustration, Hunter's Pearls 29.7 x 42 cm...
Art.Box: Oleksandra Fastovets is an art book dedicated to Oleksandra...
Sketch.Box: Paul Dainton is a sketchbook dedicated to Paul Dainton's art.
CLANS is Björn Hurri's new artbook and the third chapter of his dark...
Petzi et ses compagnons mettent le cap vers la Suisse pour une nouvelle...
Didier Graffet's captivating illustration, Nova Atlantis, 30x40 cm...
Dans ce livre, découvrez les aventures trépidantes de Mister Goupil et...
Explore the richness of Yemeni gastronomy in visual and literary ways in...
In order to celebrate the 10-year anniversary of 365 Squares vol. 1,...
Born in Rome in 1935, Alessandro Biffignandi developed an interest in drawing and cartoons at a very young age. After school he attended art college, where he became fascinated by cinema posters, and on graduating he became an apprentice with the great Italian poster illustrator Averardo Ciriello. At the age of 20, Biffignandi was head-hunted by...
Born in Rome in 1935, Alessandro Biffignandi developed an interest in drawing and cartoons at a very young age. After school he attended art college, where he became fascinated by cinema posters, and on graduating he became an apprentice with the great Italian poster illustrator Averardo Ciriello. At the age of 20, Biffignandi was head-hunted by the studio of Augusto Favelli, which at that time was Italy's biggest producer of film posters. In the 1960s, he moved to Milan and created cover artwork for the D’Ami studio, an art agency that produced comic strips for the UK market, including the famous Fleetway war comics. From 1970 until the early ’80s, he produced hundreds of high-quality covers for the adult comic titles published by Edifumetto – including Zora la Vampira, Cimiteria, and Biancaneve. Biffignandi then left the world of comics to concentrate on magazine and book illustration. Today, he still paints, but only for pleasure.
Between the late ’60s and the late ’80s Italy went crazy for “sexy fumetti," a home-grown genre of adult comics with a unique brand of twisted humour, violence, and up-front sexuality.