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Ashley Wood's second deluxe album in extra-large format.
In nomine Dragonis, an Art Print illustrated by Ronan Toulhoat,...
Sketch.Box: Wouter Tulp is a sketchbook dedicated to Wouter Tulp's art.
Sketch.Box: Thomas Elliott is a sketchbook dedicated to Thomas Elliott's...
Nicolas Weis' captivating illustration, Hunter's Pearls 29.7 x 42 cm...
Art.Box: Oleksandra Fastovets is an art book dedicated to Oleksandra...
Sketch.Box: Paul Dainton is a sketchbook dedicated to Paul Dainton's art.
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Petzi et ses compagnons mettent le cap vers la Suisse pour une nouvelle...
Didier Graffet's captivating illustration, Nova Atlantis, 30x40 cm...
Dans ce livre, découvrez les aventures trépidantes de Mister Goupil et...
Explore the richness of Yemeni gastronomy in visual and literary ways in...
In order to celebrate the 10-year anniversary of 365 Squares vol. 1,...
The Art and Making of Arcane by Elisabeth Vincentelli takes readers...
As a seasoned artist in the CG and traditional animation world, Tia Kratter brings artistic strengths and collaborative team-building to create beautiful imagery. Currently she is working as a Visual Development artist at Walt Disney Feature Animation. She completed work on Wish in 2023 and is now working on Zootopia 2, due to be released in Fal...
As a seasoned artist in the CG and traditional animation world, Tia Kratter brings artistic strengths and collaborative team-building to create beautiful imagery. Currently she is working as a Visual Development artist at Walt Disney Feature Animation. She completed work on Wish in 2023 and is now working on Zootopia 2, due to be released in Fall of 2025.
Tia Kratter joined Pixar Animation Studios in 1993 as a Digital Painter during the production of the studio’s first feature film, Toy Story. She has subsequently held the Shader Art Director role on five other films, including Pixar’s "Monster’s Inc.", "A Bugs Life", “Brave", and others. As a Texture Art Director at Pixar, Tia Kratter was responsible for specifying the color and texture of every object modeled for a film.
Prior to Pixar, she was a background painter at Disney Feature Animation from 1980 to 1994, where she worked on a variety of acclaimed animated films including "The Little Mermaid", “Aladdin", and "Beauty and the Beast" and others. Her paintings for films have been in exhibits around the world: MoMA, Japan, England, and beautiful Oakland, California, among other exotic locations.